This is the final chapter in the reviews of the fragrances made for Sheila Eggenberger's Devil Scent project, based on the characters in her novel Quantum Demonology.
Neil Morris’s Lilith
starts out as a heady mix of flowers, citrusy roses and
powdery violets, along with some newly cut grass. It is flowers at their most
piercing and insistent, flowers that will simply not be ignored. It’s extremely
sweet, keeping just below the threshold of cloying, pushing sweetness to the
maximum level at which it’s still pleasant. The sillage has an almost
candy-like edge to it, like candied violets.
There’s nothing at all funky about Neil’s Lilith, which came
a bit of a surprise. It’s a straight-up floral fragrance that you could wear in
any company. No one would raise their eyebrows, except maybe to ask what that
divine-smelling floral scent is. This Lilith kills you with love, and you don’t
even know it. It reminds me of the old Grateful Dead song lyrics from Push
Comes to Shove …
“Shakin’ in the garden, the fear within you grows,
Here there may be roses, to punch you in the nose,
Wrap their arms around you, squeeze you till you cry,
Wrap you in their sweet perfume, and love you till you die.”
That’s exactly what Lilith does. I’m not a big fan of
florals, but Neil’s Lilith is an amazingly gorgeous specimen of the floral
genre. I would wear it proudly when I want to invoke the soft, super-feminine,
seductive side of Lilith. Lilith reclining on a Barbie-bed in her pink lingerie
smiling demurely and beckoning to her victim, or Lilith tripping through the
sunshine in her flowered sundress, appearing oh so sweet and innocent, never
looking at her admirers, but knowing that all eyes are on her and that her
victim will inevitably be drawn to her for the kill. Lilith, who pushes her sweet and
innocent appearance to the very border of credibility, stopping just
milliseconds short of revealing her underlying evil intentions.
Eventually the no-holds-barred florals dry down, leaving a
beautiful, soft, powdery comfort scent that makes you want to snuggle up next
to it. At this stage it reminds me of a vintage Patou, only better. I could see
Lilith becoming my go-to floral fragrance. Kudos, Neil! I’m probably going to "need" a bottle.
Olympic Orchids Lilith
is quite a different creature. LIL is as sharp as Neil’s Lilith is
rounded, the floral notes pumped full of piercing kewda, aldehydes, and lime
leaf announcing her heartless and evil intentions from the get-go. She’s an
immaculately groomed schemer and dominatrix in stiletto heels, her leather underwear camouflaged by a lime-green designer business suit and persuasive smile, her whip at the ready in her designer briefcase. She intimidates her victims with absolute confidence and
ruthlessness, using her irresistible will rather than her powers of sweet seduction to force them to
their knees. Wealth, confidence, and power can be as seductive in their own way
as breathtaking beauty and vulnerability are in theirs.
I’m blown away by how Neil and I managed to invoke these two
opposing sides of Lilith so completely, Neil depicting her feminine side, I depicting her masculine side. Put them together, and you have an
unstoppable force of nature. I have to go out in public all day today, but next
time I’m home alone I’m going to try combining the two and see what happens.
One Lilith on the right wrist, one on the left … the yin and the yang ... it should be interesting!
Many thanks to Neil Morris and Amanda Feeley for providing samples of their wonderful creations and to Sheila for inspiring it all.
[All images taken from the Wikimedia collections]
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