The numbers are probably confusing, but Neil's first Devil Scent was named, not numbered, so his #2 is actually the third in the series. Once again, the quality of these fragrances is impressive.
Neil Morris DevilScent #2
Sweet, resinous, and just a little bit bitter to start with,
with faint notes of wintergreen, this version is lower-key than the previous
two, but still extremely compelling. A few minutes in, I think I smell a lot of
cumin along with some labdanum and sweet floral notes. For a while the cumin
dominates, a raw smell of freshly crushed cumin seeds. However the strength of
the cumin seems to fluctuate. I smelled
a lot more cumin the first time I tried it than I did on the following trials. Maybe
I was just expecting it on subsequent wearings, so didn’t notice it as much. The
strong spicy mixture sweetens as it develops, becoming almost like candy or
amaretto, but still with a hint of cumin. In this phase it’s incredibly rich and
sensuous. As it continues to dry down, I start smelling some sort of animalic
musk. At this point the fragrance changes completely, becoming quietly
gorgeous, almost a “one’s own scent but better” feeling. It doesn’t last as
long as the others, only 4-5 hours, before it’s pretty much merged
imperceptibly into my skin.
Amanda Feeley Devilscent #3
Devil Scent #3 is another bitter fragrance, but this time
it’s more green, Artemesia-like herbs than wood or sawdust, almost like a
purified version of #2 with a tiny hint of citrus and some resinous labdanum.
As it develops, it becomes a little bit spicy and peppery, then luminous,
almost translucent. It’s quietly beautiful, a scent to meditate on. Towards the end, it becomes sweet and
slightly incense-y. Longevity is excellent. It’s a truly lovely fragrance that reminds me of walking
through a field of sun-warmed dried grass and sagebrush, a fragrance that I
want to sniff and sniff. It’s my favorite of Amanda’s Devil Scents. I want a bottle
of it!
My own Olympic Orchids DEV #3 is my primary go-to scent when I want to
relax. I wear it sometimes when I sleep, and always have amazing dreams. It’s
100% natural (as I think Amanda’s is, too). It starts out with a
spicy-boozy-fruity note that reminds me of an old-fashioned plum pudding, but
gradually becomes darker, more animalic, and almost sinister as the labdanum,
ambergris, and African bluegrass come to the fore. If I put it on at night, it
lasts until well into the next morning. For some reason it reminds me of my
grandmother’s room when I was a kid.
I think we all based our #3 fragrances on the part of the
story when Dev and the heroine part company, convinced that it will be forever
(literally, since they are both immortal at that point). It’s the adagio
movement of the piece, in a minor key as they both walk away from each other.
Neil turned it into a traumatic parting followed by a swirl of conflicted
memories as the heroine revisits the past, viewing it through a new lens,
gradually making her peace with it all. I think Amanda and I both interpreted the
separation process as a sort of quiet resignation to the inevitable. Her
fragrance evokes the heroine crying a few tears initially, but walking quietly
away with fond thoughts of the past, looking forward to peace and an almost
religious enlightenment in the future. Mine, like Neil’s, has her kicking and
screaming a little as she says goodbye, but then walking away in quiet
resignation, into a bleak future in which she sees an empty, dark stone tomb
extending outward into infinity. As before, all of the perfumes complement each
other, like different musical instruments playing their parts in a single
piece.
[photos from Wikimedia. Paintings (top to bottom) by: Herbert Maxen, 1950, James Tissot, 1871, Heinrich Vogler, 1898]
I think that what amazes me the most about this project is just how all of you brought back my story to me in ways I had never anticipated, and picked up on other aspects I wasn't even consciously aware I wrote into the story. But if I'm honest, I think our hapless heroine would indeed be kicking and screaming not a little! ;)
ReplyDeleteIt's amazing how much of what we create happens subconsciously. I didn't realize until after the fact that my 4 perfumes were like a set of musical movements, each of which went with one part of the story. But of course, this was the case given that I worked on each one while reading the corresponding part. We all end up surprising ourselves!
DeleteOne of the coolest things to me, was the fact that several of us were thinking in musical terms - that this was a symphony which had great highs and lows. How best to translate the story into scent? Multiple movements :)
ReplyDeleteAmanda
Amanda, I thought that was really cool, too, when I found out that you had also thought of the scents as musical movements!
Delete